Archive for July, 2006

Super Mario’s Crisis

Artkrush, the online arts magazine, published a new issue today, about digital art. I find myself asking… is this art? The magazine’s editorial tone seems painfully aware of that question:

While the phrase “digital art” used to evoke thoughts of cheesy Photoshopped dreamscapes and clunky animated GIF graphics, it now applies to an ever-expanding, sophisticated field of interactive web projects, mutated video games, and hacktivist interventions.

Confounding critics who have sounded the death knell throughout its development, Net art has continued to thrive as a conceptual medium for artists and arts organizations.

I decided to side with my personaly interest (bias?), to ignore these “confounded critics” and look for myself, to see whether I liked any of this art.

What do you think? Continue Reading

Weekly Emerson Notes

Every week, Stefanie Hollmichel posts a new response to a different Emerson essay. This week it was Emerson’s essay entitled “Heroism”, about which she comments, interestingly:

His ideas are such a bizarre mix he sounds like Pat Robertson, an ACLU attorney, and a Spartan combined into one person. If he stopped there I would be completely disgusted, but he redeems himself.

Last week, in a cleverly titled post “Wouldn’t be Prudent” she said:

Emerson’s essay on Prudence is filled with all kinds of interesting snippets which I find more thought-provoking than the whole. Snippets like “We write from aspiration and antagonism, as well as experience.” And “Time, which shows so vacant, indivisible and divine in its coming, is slit and peddled into trifles and tatters.” And “The hard soil and four months of snow make the inhabitant of the northern temperate zone wiser and abler than his fellow who enjoys the fixed smile of the tropics.”

These posts make for fun reading, and she always links to the subject of next weeks post in advance, to invite participation. I think that’s a great way to run a lit-blog!

(In fact, I might like to adopt a similar practice myself.)

source: So Many Books

Pulp Fiction Reprints

Weird Science 1952

The antique store in my hometown occasionally has a giveaway box full of old dime novels. What I like about them most is their lurid covers.

cover by Tom Dunn.

As it happens, many of these have entered the public domain, meaning that they’re easy fuel for other creative endeavors. The good news is, there’s lots of good stuff out there!

Images

Weird Science 1952

Weird Science 1952

The cover browser is probably the best place to start. Choose a theme or title, and you’ll get to look at thousands of great images from the covers of dime novels, comic books and the like.

In addition, there are hundreds of images available on Flickr. You can find covers from old books like: dime novels, pulp fiction, wild west pulp, espionage & action, and crime & mystery. While not of these images are without copyright, many of them are, and all of them are fun to look at.

Texts

If it’s those juicy, action-packed stories you’re looking for, PulpGen has several hundred pulp stories available for download in PDF versions. The stories are listed by magazine, story title and author, to help you quickly find what you are looking for.

You can also find metric tons worth of science fiction stories, at Project Gutenberg.

More Info

Slate has recently published a special issue devoted to pulp novels.

Consider this special issue our obituary for pulp, the literature, as pulp writer John D. MacDonald once called it, for men who carry their lunches in pails.

The Pulp Net has more info than you could ever want about this kind of stuff.

New York Times Makes a Cut

Mythic Figures

Spurious has run an interesting collection of musings on mythic figures, including The Golem and The Homunculus and The Doppelgänger

I wonder what else might be added to that set: The Succubus or The Asp? The figures chosen all seem to have a realtionship to the self, or to embody some sort of problem.

infodump vs. exposition

Matthew Cheney, author of The Mumpsimus, poses some interesting questions about the part of a story called the exposition, or “infodump”.

I’ve been wondering about exposition recently, particularly exposition of the infodump variety, wherein an author needs to convey a lot of information and does so by coming out and stating it. Telling vs. showing. Choosing efficiency over subtlety.

Here are some ideas, questions, and assumptions about exposition…

Cheney asks for examples of infodump vs. exposition. I can think of one example that successfully combines the two: Shakespeare’s Ricard III Act I, Scene i.

Weblog Discourse

The Reading Experience has a recent post that poses some interesting ideas about “this point in the development of the weblog as a forum for serious discourse”:

  • What exactly can be done in a blog post?
  • Blogging about blogging can become just another variation on navel-gazing.
  • Certainly blog posts can be casual or superficial, but I see nothing in the nature of the form that requires they be so.
  • Plenty of literary weblogs are focused on longer posts that are frequently part of cross-blog debates that at their best have a seminar-like feel without being pompous.

And so on…

Close Reading New Media

Leonardo Digital published a review of a book of hypertext theory entitled, “ Close Reading New Media: Analyzing Electronic Media” The book applies a method of close analysis to new media. The review describes the book.

The book is actually a collection of nine essays divided into three sections––Hypertext, Internet Text, and Cybertext––with each section containing three essays. And so, in the first section, one finds analyses of Strickland’s True North, Shelley Jackson’s Patchwork Girl, and M. D. Coverley’s Califia. Section two offers essays on Geoff Ryman’s 253 and Rick Pryll’s Lies, Raymond Federman and Anne Burdick’s Eating Books, and another on Ryman’s 253. The final section focuses on Darren Aronofsky’s website for his film, Requiem for a Dream; the interface for ebr (electronic book review); and the theoretical views underlying Grammatron by its author Mark Amerika.

leonardo cover Leonardo is yet another wonderful publication by the MIT Press. Leonardo is a magazine about “work at the intersection of the arts, sciences, and technology”. That’s not all! These folks publish all kinds of stuff (all published by The MIT Press):