My Friend Trisha has completed a new set of photography. She calls it “pin up” photography and describes it with adjectives like “artfaggy” and “sec-say-ness”
All posts tagged art
Trisha Bowyer, photography
Trisha Bowyer is a friend of mine, and a damn fine phtographer, too. Trisha has published an online portfolio of photographs by Trisha Bowyer.
Sinister Studio
My good friend Christopher Robinson has drafted me for rebuilding his outdated website, which will be called Sinister Studio.
Chris is a farmer, an artist, etc. Here are three of his works.
By way of introduction you might read his statement:
When there are to many questions too answer and too many problems to fix it becomes clear that the system itself is wrong. A new system must be implemented seemlessly into the fabric of reality, a new system that actually works, politics must become as adaptable and forceful as nature itself if social change is ever to be acheived.When there is no time to explain all the rules and no one who can understand them anyway it becomes clear that communication must be updated. Everyone has to understand the goal and agree on the plan before social change can be implemented.
Everything has a pattern, everything is made up of energy vibrating at different frequencies, everything must exist in an infinite universe. Patterns can be mapped and displayed, changes in vibration can be triggered.
Novelty can be manufactured.The people in power have the power to stay in power. The people without power are giving thier power willfully to the people in power. Every dollar and minute you spend is a vote. When you interact positivly with the power structure you reinforce it.
Most people have needs. Most people are not aware of their options.
My artwork is optional…
Kerouac’s Paintings
A book called “Departed Angels” about Jack Kerouac’s “Lost Paintings” came out a little before Christmas last year and it is a magnificent work! It’s got 130 beautiful color pages of Jack’s drawings, paintings, sketches and notes. And then NYU Professor Ed Adler added another 150 pages of commentary and explanation. Jack even wrote a “List of Essentials” for painting just like he did with his list of “Essentials of Spontaneous Prose“. A magnificent book that adds tremendous insight in to Jack’s art.
For ONE DAY only this Saturday April 30th from 11 AM to 4 PM many of Jack’s paintings and drawings will be on display in Lowell at the Whistler House Museum of Art, 243 Worthern Street, Lowell, MA 01852. Their phone number is 978-452-7641. There is a $5.00 admission to the museum.
Saturday 4/30/05 – Lowell MA
11:00 AM to 4:00 PM – Painting exhibit
2:00 PM – Slide Lecture by Ed Adler, Art Professor NYU
6:00 PM – 8:00 PM – Booksigning and Reception with Ed Adler
If you can’t get to Lowell to get an autographed copy directly from Ed you can order “Departed Angels” at http://www.kerouac.com.
source: Kerouac.com
At the Moulin Rouge
The National Gallery of Art features an exhibit entitled Toulouse-Lautrec and Montmartre. It seems the exhibit is well titled, because it is about the district of Montamarre more than it is about the famous artist whose name entitles the exhibit.
Artists’ fascination with the decadent spirit and glamour of bohemian life in the Parisian district of Montmartre at the turn of the 20th century is the focus of this major exhibition of more than 250 works primarily by Henri de Toulouse-Lautrec (1864-1901). Paintings, drawings, posters, prints, sculptures, zinc silhouettes from the Chat Noir shadow play, and printed matter, such as illustrated invitations, song sheets, advertisements, and admission tickets, will be presented alongside depictions of similar subjects by fellow artists, including Toulouse-Lautrec’s predecessors Edgar Degas and Edouard Manet; his contemporaries Pierre Bonnard, Vincent van Gogh, and Pablo Picasso; and poster artist Jules Chéret.
The themes of the exhibition include dance halls, cafés-concerts, and cabarets (featuring a section devoted to the Chat Noir); and performers, such as Aristide Bruant, La Goulue, Jane Avril, Yvette Guilbert, May Belfort, May Milton, Loïe Fuller, and Marcelle Lender. The exhibition will be dominated by Toulouse-Lautrec’s most important paintings and celebrated posters, including A la Mie (c. 1891), Ambassadeurs: Aristide Bruant (1892), The Laundryman (c. 1894), Marcelle Lender Dancing the Bolero in “Chilpéric” (1895-1896), the Elles poster and album of prints (1896), and 12 of the 50 known Loïe Fuller prints from 1893, colored by hand by the artist.
Toulouse-Lautrec’s work will be seen in the company of important works by many of his contemporaries, including Van Gogh’s Agostina Segatori at the Café du Tambourin (1887); Picasso’s Le Divan Japonais (1901); and Degas’ Café-Concert (c.1876-1877). In addition to seminal paintings, the exhibition will feature a number of important early posters by Jules Chéret, including his Bal du Moulin Rouge (1889) and Folies-Bergère: La Loïe Fuller (1893), and Théophile Alexandre Steinlen’s Tournée du Chat Noir (1896).
Maybe it was because of the length of the line, which gave me time to read the entire text of the exhibition brochure, but I noticed that the exhibition had a text with it. The brochure, the placards beneath the artworks, and the writings on the walls were all taken from the same text. You can read that entire text in the exhibition’s website as well.
It was nice to see some reality shed upon the subject of the “Moulin Rouge” which has been popularized in a recent movie by that name. I had no idea until the exhibit that these words mean “Red Windmill” and that there was one such structure in the neighborhood, near the bar and the brothel.

Another popular hangout in the neighborhood of Montmartre was a club called The Black Cat, which was a scene of many of the performances advertized by the now famous posters by Henri de Toulouse-Lautrec.
What startled me about this exhibition was that I left it with very little sense of the mood of the place “with its skewed perspective, lurid colors, and perplexing social dynamic… both alienating and arresting — an embodiment of the spirit of Montmartre.”
I guess I’m just jealous of anyone who got to live in such a time and place. In short, this exhibition gave a fascinating account of the context surrounding Henri de Toulouse-Lautrec’s life and work (the hypertext if you will), but that in turn created a desire to know more about the setting, whic might be something inappropriate to discuss in a public setting such as The National Gallery of Art.
Leonardo da Vinci’s hidden studio
The New York Times reports the discovery of what may have been the studio of Leonardo da Vinci.
FLORENCE, Italy, Jan. 14 – Researchers at a military geography institute here say they have discovered – hiding practically in plain sight in their building – what might have been a workshop for Leonardo da Vinci. …
Italian museum officials are hoping that the discovery of the frescoes and five small rooms where Leonardo might have lived and worked, in a building just off the Piazza of the Santissima Annunziata in central Florence, will help flesh out the life of the artist, inventor and scientist, who embodied the ideal of the Renaissance man.
Thomas Raine Crowe
Look out!
I don’t mean the window,
I mean the helicopters overhead,
the buzz on the phone,
and the police at the door.
Achtung!
The sky is falling
from the atoms they have taken
from the air.
The trees cut to build temples
to oil.
The brown water no longer
fit for fish.
Look out!
When freedom is just another word
for what we have lost.
When peace is another brand
of bomb.
When the national animal is no longer an eagle,
but a sheep.
Achtung!
The Republicans are coming.
The Republicans are coming….
Coming to put us away
in the funny farm that’s not so funny.
In the nuthouse.
In the terrorist jail.
On my conspiratorial horse,
I am Paul Revere passing Dachau on the train.
And the Republicans are coming.
The Republicans are coming….
Look out!
The Germans are hip to White House tricks.
They punched the bully in the nose.
They cite Bukowski and Chomsky
as the philosophers of the age,
instead of Wolfowitz and Bush.
And Dachau is empty
just waiting to be filled up with
the American rich.
Achtung!
Let’s put them all on the Autobahn
without brakes.
On top of the Zugspitze
without skis.
On the bottom of Starnberg Lake
with mad Ludwig.
In the middle of Munich
without clothes.
In the throne room of Neuschwanstein
without thrones.
Look out!
Everything you see is not what it seems.
This is a bad dream.
And everyone is asleep.
Democracy is fascism
spelled backwards.
Politicians are speaking out
of the sides of their mouths.
TV is a frontal lobotomy.
Hollywood is a new religion.
Caesar has risen from the ashes….
Achtung!
Look out!
The Emperor has new clothes,
and it’s all the rage.
Achtung!
Look out!
It’s a new world order.
It’s an old world cage.Munich to Pfaffenhofen
Spring, 2003
I attended a poetry reading this evening (14th) by Thomas Rain Crowe, with whom I had the honor of sharing my lunch today earlier today. He’s a real bona-fide beatnik, drinking buddy to the stars: Ginsberg and company themselves. That alone was impressive, I suppose. He shared with us some selections of his fiction and his poetry. He told us about his rock band. and his first volume of translations of the poems of the 14th century Persian poet Hafiz, ( Hafiz )According to his bio: “Following six years as Editor-at-Large for the Asheville Poetry Review, he is currently writing a memoir in the style of Thoreau’s Walden based on four years of self-sufficient living in the wilderness environment in the woods of western North Carolina from 1979 to 1982. He currently resides in the Smoky Mountains of North Carolina. His literary archives have been purchased by and are collected at the Duke University Special Collections Library in Durham, North Carolina.”
Lines I caught: “I will not live in a world without whales or dolphins” and “we are what we aren’t.. Or how else could we intend one thing and do another. We are what we aren’t” “Autchung!” was an inflammatory rant against the current political status quo, not however, against the complacency on the part of most people which what seems to have incensed more than a few audience members. One woman busted out: “and why aren’t the creative people of the world stepping up and doing what the media isn’t doing?” my question is, rather, why aren’t you, lady? You don’t get off saying “oh, I’m not creative,” I’m sorry but you don’t. If you want a world unlike the one you have, and you want it brought to you without being willing to do anything to create what you all – I shouldn’t assume that about her. She interrupted him. “Are you scared!” she meant him. he shook his head and grabbed the microphone “no I’m not scared, or else I would not have read that poem!” she was looking for someone to blame for something. She was a stranger. He spoke about four years living in the mountains, back-to-the-land style.
Virginia Woolf’s Portrait

A long-lost portrait of Virginia Woolf, who hated sitting for paintings, has gone on display after its whereabouts was revealed by its owner.



